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Reflections from the studio

Writing on identity, typography and visual systems. No smoke — what we learn by doing, told straight.

[ FILTERING BY PROCESS ]
A wooden jetty fading into fog over a still lake.

The distance between Figma and the browser

A Figma file is a photograph of an intention. The browser is a live medium — with time, input, network and viewport. Between the two lies a distance almost nobody measures, and that's where it's decided whether a product feels good or merely looks good.

CRAFTJUL 2 2026

A beach shoreline from above, the foam tracing the water's edge.

Process notes: what we keep when a project closes

Every project close leaves a useful residue almost nobody files: the discarded decisions, the dead ends, the version threes. This is what we keep, and why.

PROCESSJUN 18 2026

A city bus aisle at floor level, passengers' feet on either side.

A one-day brand workshop

Eight hours, a room and the people who actually decide. What happens in a brand workshop, what comes out of it, and why it's the most profitable day of the whole project.

PROCESSMAY 28 2026

A director straightening his jacket before a meeting, shot from the collar down.

The brief that isn't a brief

Almost no brief describes a problem: it describes a solution someone has already decided on. How we take the document apart in the first meeting to get to what actually needs solving.

PROCESSAPR 23 2026

A mountain range at dawn with fog settled over the valley lake.

The grid is a promise

A grid doesn't tidy up: it promises. It tells the reader where everything will be next time, and keeping that promise is worth more than any brilliant layout that breaks it.

TYPOGRAPHYAPR 9 2026

Lines of HTML in an editor, syntax-coloured on a dark background.

A website loads in your head first

Milliseconds matter, but less than the order in which a page tells you what it is. Why we measure perceived speed before technical speed, and what that changes in how we build.

WEBMAR 19 2026

A team working on laptops around a wooden table in a naturally lit space.

Working four-handed with the client

Three-option presentations are dead in this studio. What a shared working session looks like, what it demands of each side, and why it produces better brands than the big reveal.

CRAFTOCT 30 2025

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